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PRESS RELEASE
Florence, 3 October 2003
'FIRENZE LA CITTÀ NUOVA': (FLORENCE: THE NEW CITY) AN EXHIBITION
IN THE SALA D'ARME THAT TELLS THE STORY OF A CHANGING CITY IN PICTURES
AND FILM. 'AN INITIATIVE TO INFORM AND INVOLVE THE CITIZENS OF FLORENCE'
SAYS MAYOR DOMENICI
Florence as it is now and how it will be in the future: the main transformations
and innovations that are taking place in the city and changing its appearance,
are now being shown in an exhibition with images, films, drawings, maps,
texts and interactive paths. In many cases, the work concerns the infrastructure
and is considered strategic by the local administration for the development
and growth of the city. There are also smaller-scale projects which aim
to improve the quality of life in the 'quartieri' (the administrative
districts into which the city is divided) and to develop facilities and
opportunities for local people. Some of the sixteen projects presented
have been completed, the majority are in progress while others are in
the final planning stages.
The exhibition 'Firenze la città nuova' was inaugurated today by
the mayor Leonardo Domenici and the town council in the Sala d'Arme of
Palazzo Vecchio where it will be housed until after the Christmas festivities.
The exhibition (open daily, free of charge, from 10am-10pm) was the brainchild
of the municipal department of communications and offers all Florentines,
but also anyone working or studying in Florence, the opportunity to form
a clear idea of how the city is changing. The Sala D'Arma was chosen to
house the event both for its prestige and its central location and may
be used for other similar events in the future since this is really 'work
in progress' which will develop alongside the changes in the city.
'This exhibition aims to inform and involve Florentines and to make them
share, as protagonists, in the process of transforming their city', explains
mayor Domenici. 'We're not saying 'we'll amaze you with special effects':
what we want is to encourage, albeit with innovative technological instruments,
the growth of democratic participation in the changes that Florence is
going through. The exhibition is an occasion to stimulate, rather than
suppress, debate on the works in progress, on those already completed
and on those about to begin'.
The 'journey' in the Florence of the present and the future takes in Fortezza
da Basso, the High Speed train station, Piazza Santa Maria Novella, the
Uffizi and Piazza Castellani, the old 'Murate', the banks of the Arno
and the Saschall theatre, the athletics stadium, the Forte Belvedere,
the old Fiat area, the Vamba school, 'Meccanotessile', three city squares
(former Longinotti, Vittorio Veneto, Alberti), the Oltrarno with the recovery
of complexes known as 'Leopoldine', the 'Conventino' and 'San Gaggio',
le Piagge, San Bartolo and the tramway.
'La Sala d'Arme is the heart of the event but the exhibition has a modular
layout so that it can accommodate other material and images and also be
transferred to other places such as the 'quartieri' or schools, for example,'
says Elisabetta Tesi, councillor in charge of communications. 'The spirit
of the exhibition is to use innovative techniques to demonstrate all the
transformations to the city.'
The exhibition is a way of allowing Florentines to understand, with the
help of multimedia resources, just how their city is changing and the
repercussions for daily life. The tram project, for example, can be seen
in detail by using an electronic board, made with the contribution of
the University of Florence: when various points on the map are selected,
the particular area is highlighted, showing the main roads and squares
and indicating the tram and train routes and the location of the stops.
The subjects in the exhibition were selected on the basis of their importance
to the city and as part of the Florentine cultural heritage and also in
relation to their significance in terms of health and the environment.
All work is awarded equal importance, whether in the suburbs or inner
city.
Each project is described in a short film projected in the Sala D'Arme
on screens (real sails anchored to the vaults). The images are accompanied
by a musical score conceived for the purpose of engaging the visitor's
attention but there is no soundtrack for the various projects, which are
narrated only by images and visual texts.
Those interested can then satisfy their curiosity and learn more about
any subject by operating one of the four workstations with transparent
screens and simple controls to pay a virtual visit to each project and
explore it. It is also possible to 'visit' the exhibition by clicking
on the Florence council network (www.comune.fi.it) which features special
technology for visually impaired users.
To coincide with the exhibition, a series of postcards has been printed
presenting the seven projects displayed in their final state (Piazza Santa
Maria Novella, the former Longinotti area, the high speed train station,
the old Fiat area, the old Murate, piazza Castellani and the Fortezza
da Basso); the postcards will be distributed free of charge inside the
Sala d'Arme.
The design materials and texts in the films were supplied by the departments
for the environment, homes and residential council housing, culture, innovation,
education, public works and technical facilities, sport and urban planning
and also by Sitimet Spa, the University of Florence - Centre for communications
and media integration and the University of Siena - the Department of
Archaeology and Art History.
The original idea, feasibility study, direction, programme for the multimedia
interactive workstations, production and post-production, films and logotype
are by Bruno Spinazzola - Surproduction S.a.s., the video is by Surproduction
S.a.s. - Max Media Studio, DLF S.r.l., the web-site by DLF S.r.l., project
layout by Franco Facchinelli - Business Architecture, mounting by the
In Forma Progetti S.r.l, the advertising campaign by B&A S.r.l; with
a contribution from Paolo Caratelli.
The event cost a total of 339 thousand Euro, covering the production of
video material, mounting, web-site, and personnel for the exhibition room.
The films and images used for the exhibition, which will be added to with
each new project, constitute a patrimony which can be distributed with
other multimedia resources and will form the basis for other information
and communication events in the city. (vp)
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